It is so tempting to start this consideration of THE DARK STREETS, the latest Jack Liffey novel from John Shannon, by resorting to The Rant. The Rant, as most fans of Shannon's work know, is our howl at the injustices of an ignorant and uncaring universe where John Shannon's superb work slips into oblivion shortly after publication when it ought to be on national best-seller lists and the subject of breathless critical evaluations and appreciations of what the modern crime novel ought to be.…

Imagine, if you can, a crime novel so fine-tuned and crafted that not one word is wasted. A novel that manages to effectively convey its full emotions and characterizations with a poet's minimal amount of words and sentences. A novel that in its mere 192 pages packs more action and resonance than works over twice its size. If you can imagine such a novel, then you're probably thinking of DRIVE by James Sallis.

Following his excellent series of Lew Griffin novels, and just before…

Whenever Laura Lippman takes a break from her witty, well-written series featuring PI Tess Monaghan, the results are stand-alone novels noticeably more smober in tone and perhaps more personal in their topics. But these works have also quietly expanded the definitions of a "crime novel" (especially with THE POWER OF THREE) and rank Lippman among the finest authors working today. And this is certainly the case with her latest work, WHAT THE DEAD KNOW.

The book opens with a woman…

Anyone familiar with the PI Elvis Cole novels of Robert Crais knows that Joe Pike, Cole's shadowy partner, is one of those fictional "Competent Men." You know tha type -- exhaustively trained, intensely experienced, and in any and all situations...competent (like Ian Fleming's James Bond or, more currently, Lee Child's Jack Reacher). So we know that a man like Joe Pike, ex-Marine, ex-L.A. police officer, ex-mercenary, is more than capable of getting out of any trouble he finds himself in.…