The Worst Pulp Novelist Ever?
I won't cross-post all the nonsense from my blog. Just the stuff that might be of interest, like the following.
In Seattle’s alt newspaper The Stranger, Paul Collins remembers Leo Child, “the worst pulp novelist ever,” on the tenth anniversary of his death. Child went from ghostwriting Hollywood bios to churning out titles for Holloway House.
His signature accomplishment is The Werewolf Versus Vampire Woman, which “has the reputation among aficionados as the most craptastically awful book ever written.” Collins says it’s “an extremely loose adaptation of an Italian schlock-horror film.” If I had to guess, I’d say that film is, um, The Werewolf Versus Vampire Woman, one of the many Waldemar Daninsky movies made by Paul Naschy.
The notion of any writer trying to capture the weirdness of a Naschy film on the page boggles the mind. At the very least, the International Association of Media Tie-In Writers should name an award in his honor.
In Seattle’s alt newspaper The Stranger, Paul Collins remembers Leo Child, “the worst pulp novelist ever,” on the tenth anniversary of his death. Child went from ghostwriting Hollywood bios to churning out titles for Holloway House.
His signature accomplishment is The Werewolf Versus Vampire Woman, which “has the reputation among aficionados as the most craptastically awful book ever written.” Collins says it’s “an extremely loose adaptation of an Italian schlock-horror film.” If I had to guess, I’d say that film is, um, The Werewolf Versus Vampire Woman, one of the many Waldemar Daninsky movies made by Paul Naschy.
The notion of any writer trying to capture the weirdness of a Naschy film on the page boggles the mind. At the very least, the International Association of Media Tie-In Writers should name an award in his honor.
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