There comes a time in every writer's life when he or she must ask:
has my work become stagnant? Am I churning out more of the same, or are my ideas still fresh?
It's a tough question -- especially for successful writers. After all, who wants to mess with a good thing? When all the feedback is positive, and the fan base is loyal, like it was for
Canadian author Giles Blunt with his
Cardinal mystery series, why would anyone want to strike out on a new path?
Readers
resent change in the same way that families do. Every mother has, at some time in her life, wanted to change some personal habit, only to find that her mate or children were very uncomfortable with any
tilt to the status quo.
So it is with writers. However, there are many ways to measure
"success". It is not merely a factor of
readership, or of
accolades. Success can also describe the
artist's ambition to stretch, to reach new territory, to become more than the sum of his "known" parts.
With his latest novel,
Breaking Lorca ,
Giles Blunt has become an inspiration to many writers. He may have ruffled a few loyal
Cardinal fans, (in fact, I'm quite sure he did) but by blazing for himself this new trail he has proven himself to be worthy of a standing in the halls of
Canadian Liturature.
By the way, I should point out that, like many Canuks, I shudder at the stuffy, over-touted phrase
"CANLIT". It carries with it a pretentious air of
exclusivity that hinders rather than fosters our
true National Artistic Identity.
Having said that, there is an undeniable
standard that we Canadians strive for, and
Blunt has entered into the realm with his latest two works:
Breaking Lorca, and before that the wickedly humourous
No Such Creature.
I am proud to have met Blunt, albeit briefly, on several occasions, and to have heard him read. Without a doubt, his recent artistic
"mutations" have been the result of much effort, and they have earned him an
undeniable place in those haughty yet sacred annals.
Donna Carrick, May 18, 2009 www.donnacarrick.com
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