I'm taking a break of a couple of weeks between drafts of my latest novel. To clear my head and to allow my body to accustom itself to a step up in desert heat here in Jerusalem (it's hard to concentrate the first day the temperature hits 35 degrees, particularly when you write standing up as I do). So it's good to have reminders of how my novels are establishing themselves on the international thriller and mystery scene.
In the post yesterday, I received some copies of the small-format UK version of my third Palestinian crime novel THE SAMARITAN'S SECRET from my editor at Atlantic, the delightful Sarah Norman. The large format edition, published in January, was green. The new one, which'll be published on July 1, is brown. I like it because it's slightly larger (B format in publishing parlance) than the tiny A-format versions of my first two novels, released in the UK as THE BETHLEHEM MURDERS and THE SALADIN MURDERS.
Over at my agent's office, I also picked up copies of my first novel in the French pocketbook version. LE COLLABORATEUR DE BETHLEEM
(as THE COLLABORATOR OF BETHLEHEM is known to thin, well-coutured ladies and men who shrug a lot when they say "Boff!") has been nominated for the Prix des Lecteurs des Livres de Poche.
Before I tracked across my agent's courtyard with my pile of French pocket books, I signed a contract for the publication of my first novel in Greek. I'll be with Kastaniotis Editions
in Athens. Thus my shelf of foreign-language books will now test my language abilities with one which will be "all Greek to me" and, as my second book came out this month in Holland, "double Dutch."
Maybe the heat's getting to me. With wordplay like that, I ought to get back to the next draft of my novel....
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