This week on Crime Always Pays: John McFetridge (right) launches ‘the Toronto Series’ on-line; Charles Salzberg Q&A’d; a review of Alan Glynn’s THE DARK FIELDS; some decent reviews for THE BIG O; free copies of Paul Charles’ THE BEAUTIFUL SOUND OF SILENCE; Declan Hughes knocks the stuffing out of Banville Man; Peter Murphy expands on ‘the compost theory of culture’; the Mercier Press launch HITLER’S IRISHMEN and DARK CORNERS; and… Continue